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Релиз ожидания 2016


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  • 3 weeks later...
1 минуту назад, Кожаный Чулок сказал:

Это Валера блицкриг из коррозии и Глеба самойлова?

Старая британская NWOBHM группа же. Их еще металлика каверила, а вокалист и бывший барабанщик в Satan участвуют.

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27973317_2034619403220171_44103346939219

Цитата

SOLSTICE – “White Horse Hill” LP

1. III
2. TO SOL A THANE
3. BEHELD, A MAN OF STRAW
4. WHITE HORSE HILL
5. FOR ALL DAYS, & FOR NONE
6. UNDER WAVES LIE OUR DEAD
7. GALLOW FEN

Recorded at Vibrations Studios, Huddersfield, England.
Mixed & Produced by Richard Whittaker at FX Studios, London, England

Statement : READ CAREFULLY!

After issuing two vinyl only mini albums on our own WHITE HORSE label in 2014 and 2016 respectively (“DEATH’S CROWN IS VICTORY”, and a limited promotional version of early demo tracks from this album entitled “TO SOL A THANE”) the resulting impetus has bought us around to completing the musical work that is “WHITE HORSE HILL”.

The album is intended to work musically in conjunction with both the lyrics (rooted firmly in the English oral folk tradition), and artwork (by US artist Chris Smith), both of which we place in equal value as being part of the finished piece. It is worth mentioning also that “WHITE HORSE HILL” was not written for the CD/Download market either, but rather written for that purest and most noble of formats; a 33rpm vinyl LP. This is of course why the albums run time is 46 minutes and no more. We believe that the days of bands releasing 70 minute plus albums for the CD market should be long forgotten, because they represented the notion that quantity should always supplant quality. If an album doesn’t fit onto a single side of a C-90, it’s too long!

Nor was “WHITE HORSE HILL” produced with the intention of being listened to upon PC speakers or cell phones with a homogenous Disney-metal production. We prefer real raw power from Marshall amp gain, not overpriced boutique distortion pedals and digital effects, and real analogue drums played by a real drummer, not sampled computer programmes. This album is intended to be listened to LOUD, on real speakers.

Musically we continue to draw inspiration (inspiration, not influence, because there is a world of difference!) from the same well of leftfield 80’s Epic & Doom metal as we did in the Mid 90’s when we began to forge our own path. For it was not intended that we should voyage far from our roots, and nor will we ever.

And so, as we continue releasing records we believe in 100%; and that don’t particularly sound like anything else that anyone else is doing stylistically (Though in recent years numerous younger bands have admitted our influence upon their own output, for which we are humbled by the acknowledgement), we would be grateful if you would take the time to listen to “WHITE HORSE HILL” on Wednesday when we put it up on bandcamp.

Thank you for your patience, and support

We now turn our idle hands to our next record for 2019, “THE PLOUGH & THE FORGE”

Solstice, February 2018

Pressing information

US Vinyl version – DARK DESCENT RECORDS (DDR 198 LP) – 850 gsm tip on (case wrapped) jacket with artwork variation and 4 page full colour insert – Limited edition transparent blue vinyl with artcards.
US CD Version – DARK DESCENT RECORDS (DDR 198 CD) – Jewel case with 12 page booklet & bonus track.
US Tape Version – DARK DESCENT RECORDS – TBA with different bonus tracks.

European Vinyl Version – IRON BONEHEAD PRODUCTIONS (IBP 385) – Trifold 350 gsm reverse board jacket with artwork variation and UV Spot varnish – Limited edition transparent green vinyl with A2 poster.
European CD Version – INVICTUS PRODUCTIONS (IP 127) – Gatefold heavy card sleeve with UV Spot varnish and 4 page full colour insert.
European Tape Version – INVICTUS PRODUCTIONS (IP 127) – TBA with different bonus tracks

Physical release dates are April TBC

суко, сколько можно переносить?! это самый мною ожидаемый альбом этого года

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11 минут назад, foooturist сказал:

Обложка очень красивая

лично мне не нра, если честно. тем не менее, это вариация на тему последней ипихи (только хуже):

390902.gif?2621

ну и 

https://en.wikipedia.org/wiki/Uffington_White_Horse

Uffington-White-Horse-sat.jpg

они, как бы, с облогами никогда особо не парились, имо. с миксом, вот, да

Edited by Пивасик
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  • 6 months later...
В 04.09.2017 в 22:59, Burgerface сказал:

сатирикон я послушал уже, кстати - весьма заебись

Я только сегодня, считай спустя год с момента выхода, добрался.
Какой же охуенный :прей:

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  • 2 weeks later...

Вот The Pineapple Thief я чо то не понимаю.... Честно прослушал всю дискографию (огромную, кстати), и возникло ощущение что это какой-то конвейер. Очень много материала, из них ожидаемо процентов 90 какого-то размытого проходняка, но кое-что очень неплохо.
Не уверен что готов втыкать новый.

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Вот слушаю сейчас как раз клиповый трек двумя постами выше. Впечатления ровно те же. Какой-то типичный ананасовский проходняк, непонятно зачем отснятый клипом. В одно ухо входит - в другое вылетает тут же. Причем не вспомнить потом будет даже под пыткой.
Какая-то музыка для супермаркетов, в духе Anathema - The Optimist.

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Новый Uriah Heep (официально 14 сентября выйдет) неплох, лучше предшественников. До отличных последних Пёплов не дотягивает, конечно, вокал вот только в порядке)) Периодически возникающие ассоциации: средне-поздние Deep Maiden или Iron Purple ))) а так типичный такой ЮХ

 

Edited by The Snow Dog
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